A hallucinatory tale that brilliantly opines on how the worm
turns. Observations defying explanations rivet the viewer with a masterful
examination of faith, work, love and
eternal legacy. Shane Carruth the genius behind Primer, once again proves he is
the odds on favorite to be the 21st century's Orson Wells. Except Carruth
operates with total independence and delivers even what the harshest critics
would have to admit is a movie that if it were a painting would be a perfect
collage of Picasso's best abstracts merged with Salvador Dali's illuminating but confusing
narrative.
"In a recent interview with Elvis Mitchell on The Treatment radio
show and podcast, Carruth said that he doesn't like to make films that can be
easily reduced to synopsis. Films should go to the places that the written
word, and other mediums, can't go. Otherwise, what's the point? Not
coincidentally, it's a sentiment that can also be applied to science fiction as
a genre."
Although the movie
was made on a shoestring budget it looks and feels as big as any blockbuster. Its
unbelievable the mind-blowing cinematography was created with a $600 Panasonic DSLM. Carruth served as director,
writer, producer, actor, cinematographer, editor, composer, casting director,
production designer and sound designer, his romantic partners Oscar worthy
performance is portrayed by Amy Seimetz. A cinematic force of nature in her own
right. Saying this movie challenges the audience is akin to suggesting the
origin of the universe is puzzling. What is art, what is culture, what is the
meaning of life, I do not know how to define these things, but I know them when
I experience them, Upstream Color is such an experience.
Triumphant total critical acclaim for this movie, do not
miss the first movie of the 21st Century.
IO9 picks it as best Sci Fi of 2013, supporting my opinion.
Tens Stars out of Five.